- William Shakespeare
False face must hide what the false heart doth know.
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Games. As much as we had to admit it, we are all involved in a game. Whether you're the one making the rules, or the one following them, you are in a game. Just like any ordinary game there is a winner and a loser. Sometimes, the rules can change and the people playing both lose. The outcome of the game can depend on strength will-power and logic. If you become to emotional the results can be disastrous. Once you start playing, each move you make becomes dangerous and risky. There is no way out.Read more at http://www.brainyquote.com/quotes/authors/w/william_shakespeare_2.html#mfFEewiobEAOeiXX.9
Take this game for example. Two people caught up in a game of Lust. Actually make that four people, more dramatic ending. It's the classic 'I want what I can't have but I will try and take it anyway' scenario. One person caught in a trap with several entanglements Does she choose the spark between a lover known for a day, the chemistry with a dangerous attraction, or does she choose the connection between a 'more than' friend?
Lets break it down even further. The first: The Lover. An instant spark between two people set in a scene fuelled by alcohol. Surprisingly the lovers met during a moment of sobriety but as more liquid was consumed, the hormones began to take over resulting in drunken promises of faithfulness, protection with the inclusion of number-swapping. The outcome will most likely result in akwardness and perhaps the blocking of the whole night were the two people will never meet again. Or it could swing the other way and something beautiful will become of the meeting. However this causes friction amongst others included and changes the game completely.
This takes us to the second part: The attraction. Two people once caught in the trap of attraction mixed with passion and intellect. A dangerous combination with consequences that have affected the whole game and its' players. Two people who had to draw a line in their meeting to keep one player from a broken heart. Yet the attraction has now become all one-sided. A mark has been left in one's head and is saddened when the other player is in charge of his own game with many other contestants, maybe one or two in a night. The loser then watches from the sidelines constantly comparing the winner to other participants in her court. She will be wondering when can she break free from the spell to play her endeavours free from jealousy and longing.
The two situations bring on the final part, the result. The decision: The Connection. As the act between The Lover and The Attraction unfolds, the understudy is waiting behind the curtains, watching every move she makes and every line she speaks. He patiently waits for his turn in the game but it never comes. She has placed him in a compartment in her heart safely locked away. Two people caught in a never-ending circle of hidden emotions which threaten to explode. The Attraction fades away in to the night one more time and The Lover takes centre-stage. This is the moment in which the players will know the outcome. No more rule-changing. No more manipulation. Brutality is amongst them. The Connection admits defeat and walks away leaving the lovers to their finale. They win the game and each other.
However, like all games, there is a final twist: The Heartbreak. As The Connection player walks away, he is forced back in to the game when she realises the consequences of dallying in such a sport. The Connection no longer wants to be a part, and two hearts break at once. The Lover is forgotten immediately, The Attraction is no longer holding a spell over her but it's too late. She has lost. No more drawings, no more communication with words and technology, no more smiles. She realises it's her fault. It was her all along. No one was playing games but her. She was manipulating situations to suit her, not noticing the effects it would have on the participants. A moment too late and the game is over.
